The couture shows in Paris always deliver a few different things: meticulous attention to detail, some red carpet glamour and occasional avant-garde designs. This season's couture shows were no different.
Armani Prive
Armani Prive did exactly as expected. There are some structured suits, some cocktail length dresses, a handful of evening gowns and a lot of sparkles. Most looks were champagne or pastels with a few scattered black or deep metallic cobalt blue. This isn't groundbreaking design necessarily, but it doesn't have to be. Right now, Armani Prive is known for drop dead gorgeous red carpet looks, and this season offers plenty of gowns for the Hollywood set.
Jean Paul Gaultier
Few designers have the creativity and innovation (an balls) that John Paul Gaultier has. This collection was clearly influenced by all things south of the border. Exotic looks inspired by Mexico and its culture ranged from pieces derived from everything from the people to the nature of the country.

This look was shown on many sites as THE iconic look for the collection. The summation of the collection. The defining dress of Gaultier's presentation. I don't think it should be the first image of the collection or any kind of a symbol of it. I love the colors, the detail is incredible and it looks like what you think of with the word 'couture'. It does not, however, sum up the collection.
Chanel


Chanel, like Armani, was familiar territory. It started with classic, tweedy suits with the modern twists of full shorts and lots of sequins. Things really picked up in the second third of the show where Lagerfeld presented white satins with an almost liquid quality covered with silver beading. The show closed out with what almost could be wedding dresses on steroids. All gorgeous.
Givenchy

Riccardo Tisci continues to shine as brightly as his recent Givenchy collection. Sequins and bold colors decked out these body conscious silhouettes. The rest was gorgeous tailoring and and brilliant black pieces, two of Tisci's better skills.
Chistian Dior



One part 1980s socialites, one part
Mommie Dearest and a dash of Dita Von Teese topped off with John Galliano's over the top drama--that is the Christian Dior couture collection. The colors are fantastic, it's heavy on textures like smooth satin and heavy beading. I'm totally into the idea of opera length leather gloves. And dear God, get me those shoes.
Most of the couture collections fell in line with what you expect of these houses in ready-to-wear, and why not? Couture is about craftsmanship and detail, not over the top statements and envelope pushing. I'm satisfied and looking forward to the shows next month.
(photos from
style.com)